By S. Evangelista
This book is the 1st complete examine of the reception of classical Greece between English aesthetic writers of the 19th century. through exploring this background of reception, the publication goals to provide readers a brand new and fuller figuring out of literary aestheticism, its highbrow contexts, and its demanding situations to mainstream Victorian tradition.
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Additional resources for British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile (Palgrave Studies in Nineteenth-Century Writing and Culture)
The critic’s personal investment, in the form of the pleasure derived from the experience of art, interacts with the art object, taking it out of its remote past and reasserting its very concrete present as object of the senses. Pater’s technique of ekphrasis, most famous through his description of the Mona Lisa, bears the clear mark of Winckelmann’s influence. Art in the History, especially Greek art, is treated as the most complete expression of the human ideal, and elevated above politics and religion.
In the cults of Demeter and Dionysus ancient worshippers embraced the experience of suffering and death, of literally Figure 3 Simeon Solomon, Bacchus (1867). com - licensed to University of South Florida - PalgraveConnect - 2010-03-12 Pater, ‘Winckelmann’, and the Aesthetic Life being taken underground like in the myth of Persephone, in order to sound the most hidden depths of the psychological knowledge of oneself and of the human condition in general, finding themselves staring into the unconscious, the inadmissible, and the tabooed.
33 Most of this work is indebted to the seminal theories of Michel Foucault, which have shaped queer readings of the late-Victorian era. Foucault dates the birth of the modern male homosexual identity to the 1870s, the decade that saw the flourishing of aesthetic culture. In his analysis, modern homosexuality is the product of the redefinition of male love from a series of discrete sinful acts (sodomy) to a psychological and medical category (homosexuality). The new ‘sexual sensibility’, formulated mainly in the law and in contemporary sexological writings, became the characteristic of a new identifiable social type.